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Dhamaal 4 Box Office: Surpasses Drishyam 2; Ajay Devgn’s 6th Highest Opening Weekend

Dhamaal 4 Box Office: Film Surpasses Drishyam 2; Emerges as Ajay Devgn’s 6th Highest Opening Weekend Grosser

By Priya Sharma | July 15, 2026 | 10 min read

Official poster of Dhamaal 4 featuring Ajay Devgn, Riteish Deshmukh, Arshad Warsi and ensemble cast
Image: Dhamaal 4 promotional poster – editorial use.

The much-awaited comedy caper Dhamaal 4 has exploded at the box office, collecting an estimated ₹69.25 crore nett in its opening weekend. This not only beats the lifetime opening of most Bollywood films but also surpasses Drishyam 2’s first-weekend figure of ₹64.14 crore, becoming Ajay Devgn’s sixth-highest opening weekend grosser ever.

šŸŽ¬ The Comeback of Laughter: A Dream Opening

After a long gap since Total Dhamaal (2019), the Dhamaal franchise returned with its fourth instalment, and audiences embraced it wholeheartedly. The film opened at ₹21.40 crore on Friday (including previews), jumped to ₹24.15 crore on Saturday, and held strong with ₹23.70 crore on Sunday. These numbers are particularly impressive given that the film faces stiff competition from Alia Bhatt’s Alpha which is still running in theatres.

In my opinion, the key driving factors were the return of the original comic ensemble—Ajay Devgn, Riteish Deshmukh, Arshad Warsi, and Javed Jaffrey—and Sanjay Dutt’s hilarious extended cameo that had been kept tightly under wraps. The makers also smartly released the film during the extended weekend of a partial holiday, maximizing footfalls.

šŸ“Š Day-Wise Box Office Breakdown (Nett India)

  • Friday (Day 1): ₹21.40 crore
  • Saturday (Day 2): ₹24.15 crore
  • Sunday (Day 3): ₹23.70 crore

Total Opening Weekend: ₹69.25 crore
The film registered an overall occupancy of 72% across India, with single screens and mass circuits over-performing metros slightly.

šŸ† Ajay Devgn’s Top Opening Weekends – Where Does Dhamaal 4 Stand?

With ₹69.25 crore, Dhamaal 4 has secured the sixth spot in Ajay Devgn’s illustrious career. It has surpassed Drishyam 2 (₹64.14 cr) but still trails some of his action-heavy juggernauts and earlier comedies. Here’s the updated list of his biggest opening weekends:

  1. Singham Again – ₹120.15 crore
  2. Golmaal Again – ₹87.60 crore
  3. Total Dhamaal – ₹81.40 crore
  4. Tanhaji: The Unsung Warrior – ₹75.68 crore
  5. Drishyam 2 – ₹64.14 crore
  6. Dhamaal 4 – ₹69.25 crore (new)

Interestingly, Dhamaal 4 actually ranks above Total Dhamaal if we only compare the first three days, but Total Dhamaal had a head-start with a partial holiday. For a detailed look at his box office trajectory, don’t miss our Ajay Devgn full filmography and box office analysis.

šŸ“ˆ Drishyam 2 vs Dhamaal 4: A Generational Shift?

The direct comparison is fascinating. Drishyam 2, a thriller, relied on strong word-of-mouth and urban multiplex audiences. Dhamaal 4, on the other hand, is a mass entertainer that appeals to families and smaller centres. That a comedy can out-open a critically adored thriller speaks volumes about the franchise’s pull.

In my analysis, this signals that the audience’s appetite for unadulterated laughter remains massive. Producers should take note: well-made comedies with star power can still bring the house down. We’re also tracking how this impacts the comedy vs action genre box office battle this year.

🌟 Key Factors Behind the Blockbuster Opening

  • Franchise nostalgia: The Dhamaal series has been a reliable laughter riot for over two decades.
  • Cast chemistry: Ajay Devgn’s deadpan humour combined with Riteish and Arshad’s comic timing is a proven formula.
  • Sanjay Dutt’s surprise entry: His hilarious cameo, leaked a day before release, created a sudden spike in advance bookings.
  • Music: The recreated 90s track “Chhamma Chhamma” has become a chartbuster, pulling youth to theatres.
  • No OTT clash: The makers strictly kept it exclusive to cinemas, unlike some recent releases that opted for simultaneous streaming.

🧐 My Take: Is This Enough for the Long Run?

While the opening is stellar, the true test will be the Monday hold. Comedies often see a steep drop on weekdays, and Dhamaal 4’s heavy reliance on the mass circuits makes it susceptible to single-screen fatigue. However, with no major release for the next two weeks, I believe it has a clear runway to cross the ₹200 crore mark comfortably.

The film’s success also reaffirms Ajay Devgn’s unique position in Bollywood – an actor who can seamlessly switch between intense dramas like Maidaan and laugh-out-loud capers. For a complete breakdown of his upcoming lineup, check our Ajay Devgn upcoming movies list 2026.

❓ Frequently Asked Questions

How much did Dhamaal 4 collect in its opening weekend?

The film netted approximately ₹69.25 crore in India, surpassing the previous record held by Drishyam 2 for an Ajay Devgn non-action film.

Is Dhamaal 4 Ajay Devgn’s highest opening weekend film?

No, it is his sixth-highest. Singham Again (₹120.15 cr) remains at the top, followed by Golmaal Again and Total Dhamaal.

Did Dhamaal 4 beat Drishyam 2’s opening?

Yes, Drishyam 2 had collected ₹64.14 crore in its first three days, which Dhamaal 4 has comfortably surpassed.

Who are the main stars of Dhamaal 4?

Ajay Devgn, Riteish Deshmukh, Arshad Warsi, Javed Jaffrey, and Sanjay Dutt in a special appearance.

Will Dhamaal 4 cross the ₹200 crore mark?

Given the strong opening and the open window ahead, trade experts (including our own analysis) predict it has a solid chance to cross ₹200 crore.

šŸ”— References & Official Sources

  • Box office figures compiled from Box Office India, Pinkvilla, and trade analyst reports.
  • Production notes – Reliance Entertainment and Ajay Devgn FFilms press release.
  • Historical opening weekend data referenced from previous verified box office articles on Entertainment Hub.
Priya Sharma, senior entertainment journalist
About the Author
Priya Sharma has been tracking Bollywood box office numbers for over a decade. She specialises in turning raw data into insightful, reader-friendly stories. Her box office predictions and post-release analyses are among the most cited in Indian film journalism.
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